Mad Tea Party, Southern Culture on the Skids at the Grey Eagle in Asheville

Author: tracysigler | Posted: December 13th, 2009 | | Tags: , , , , , , | 2 Comments »
Mad Tea Party - Zombie Boogie vinyl 7 inch

Mad Tea Party - Zombie Boogie vinyl 7 inch

Went to a great show with my son last weekend: Mad Tea Party and Southern Culture on the Skids at the Grey Eagle in Asheville. More pics, videos and yapping after the jump. Check it out.

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Beastie Boys, Biz Markie, and Money Mark at the Orange Peel!

Author: tracysigler | Posted: June 11th, 2009 | | Tags: , , , , , , , , , | 1 Comment »

All together under one (small) roof at the Orange Peel in Asheville…

One Two (tickets) Oh My God! We got in to see the Beastie Boys.

"One Two (tickets) Oh My God!" We got in to see the Beastie Boys.

How ridiculously lucky can you get? This show was at a club that only holds a little over 900 people. It was announced only a day before tickets went on sale, and week before the show. I started loading the ticket page on a couple different computers right before 4 PM, along with a lot of other people. For the most part the site would not load at all after 4. Then, when it did I would get an error when I tried to buy tickets. About 10 minutes later it started saying “SOLD OUT.” I could not believe it. Took a minute to complain/tweet about it. Then, went back at it. Finally, I got through! And it was NOT sold out. Yes!

I wanted to go pretty bad, and my son Mars even more so. Mary said he got so nervous when I was trying to score tickets he couldn’t watch. He went to play his drums for a bit. That didn’t help my concentration.

I got the tickets. You want a shirt, bring money.

I got the tickets. You want a shirt, bring money.

We got there over an hour in advance, and the line was already long. The cool thing is it appears the promoters and club did everything they could to keep it fair, and minimize ticket scalping. You could only buy two. Everybody’s tickets were “will call,” even if you got the few they had at the box office. You had to bring the card you used for the purchase and another picture ID. Once you got your tickets you had to go straight into the club. Despite all that I heard people in line with an extra ticket were getting offered crazy money.

I had no idea Biz Markie was going to be there. He DJ’d for about 20 minutes and it was awesome! He totally owned the crowd. His set went through a ton of old school hip hop from the ’80s and ’90s. And somewhat to my surprise the crowd was extra hip hop literate. The Biz kept fading the mix to let the crowd a capella through lines of Grandmaster Flash, LL Cool J, even some Bob Marley, and bunch of other stuff I can’t remember. Massively entertaining. “If you remember that one, I know you’ll remember this…”

Of course, he couldn’t finish without giving us a little from “Just a Friend.” Make SURE to watch this video again.

When the Beastie Boys finally came out it was to Biz Markie doing “The Biz vs. The Nuge” (Check Your Head). Perfect.

And I couldn’t believe they had Money Mark with them. Money Mark’s records get played as much as anything in my collection. He’s been a hero of mine for years. Later in the set Mike D asked Mark to come out from behind the keyboards to play “Mark on the Bus.” Brilliant. (Clip from a different show.)

And what about the Beastie Boys? Well, I don’t how it could have been any better. They were fun, funny and funky. They played everything from their earliest punk stuff to a couple brand new songs with something from just about every record, save for License to Ill. I loved every bit of it, but I was especially glad they did a bunch of their instrumentals like “Pow” and “Ricky’s Theme.”

Mix Master Mike put on an impressive show and really turned it out with a scratching solo to open the encore. They finished strong with “Sabotage” and it was time to go home.

A couple other highlights include AdRock giving the crowd dance lessons for the “Jerry Lewis” and the “Funky Penguin.” He’s got skills. And I’ll never forget Biz Markie joining the band to sing Elton John’s “Benny and the Jets.” The Biz took his shirt off and every person in the house pulled out their camera phone to capture the big man going natural.

But wait! There’s more. Thank you Flip owners.

“Sure Shot”


Bandazian – Live at The Grey Eagle in Asheville

Author: tracysigler | Posted: February 8th, 2009 | | Tags: , , , , , | 2 Comments »

The seeds of rock…

My 12 year old son Mars has been itching to see a real rock show. It seems like most of the shows in town that we’re interested in are not all ages. He’s also been itching to visit a local record store near his school called Harvest Records. Recently he got his mom to take him by the store and he asked a guy there to recommend some local bands. He gave Mars a winner: Bandazian. Not only did Mars like their music he saw a flyer for a live show with them at The Grey Eagle in Asheville this past Friday. It was all he talked about for a week, and I was excited to take him to his first show. It didn’t hurt that I also dig their music.

We got there stupid early because I had to get the kid out of house, he couldn’t wait to leave. So we stood around for a good while until The Humbuckers, a solid country rock outfit came out. After they were done it was Bandazian time! Mars told me more than once “I’m nervous.” He had spent the week immersing himself in their music and playing his drum set along to their CD he bought, In Vacant Fields. (He even emailed the band manager to ask if he could use one of their songs in an animated Lego movie he’s making.) Then we saw the guys setting up. When he saw the drummer he said “I’m so jealous of that guy!” “Why?” “Because he’s really good drummer, he’s in my new favorite band, and he has red jeans!” I feel ya on the red jeans Mars man. I’ve always wanted a pair myself.

Mars brought the CD cover and a marker with him so he could get the drummer’s autograph. When the show was over the drummer and singer/guitarist were standing near us having a conversation. Mars was nervous big time now, but I told him I’ll just let them know we thought the show was great, because it was. He tagged along behind and when we introduced ourselves they could not have been cooler about it. They talked to Mars for a minute and when they found out he had their first album the drummer Kevin said he would grab a copy of the new one for Mars. Well, not only did he give Mars a copy of O Pioneer, he also gave him a hand screened Bandazian poster, numbered and signed by Andrew Findley. Soon to be framed. But wait, there’s more…

Mars with his Bandazian booty

Mars with his Bandazian booty

After all this Mars was still nervous about asking Kevin for an autograph. I told Mars “he will think it’s the coolest thing ever if you ask him.” So he asked, and Kevin did act like he appreciated it. He even drew a beard on his picture, because he has big one now, “so you can recognize me.” Then singer Alex Keena walked up and signed it too. It was pretty much a perfect experience, for me as well. These guys have some great poignant songs and the combination of seeing and hearing them live, along with watching my son taking it all in for the first time got me a little choked up. We didn’t stay to see the “headline” band The Poles. There was no way the night was going to any better than it was right then.

Bandazian autographed CD

Bandazian autographed CD

The video at the top is for the song “Crocodile Tears” and was made by a fan. I’d say that’s a quality fan. Check out Bandazian’s music with the links below.

website: www.bandazianmusic.com
epk: www.bandazianmusic.com/epk
myspace: www.myspace.com/bandazian
virb: www.virb.com/bandazian


Mike Doughty — Haughty Melodic, Golden Delicious, etc.

Author: Keith Pelczarski | Posted: April 30th, 2008 | | Tags: , , , , , | 1 Comment »

Hello, party people! Keith here once again to drop some soft rock knowledge on your Heavy Duty minds. Today’s topic: Mike Doughty (or “Dode” as he was known at Simon’s Rock). He was the frontman for the slacker jazz outfit Soul Coughing. He’s a talented lyricist who turns funny phrases like:

They say you snooze, you lose,
Well I have snost and lost

Since the dissolution of Soul Coughing several years ago, Dode has continued making soulful, quirky “alternative” music without quite as much electronic sampling and such. He’s released a bunch of albums and EPs (see ). I haven’t listened to all of them, but I do rather enjoy Haughty Melodic (a palindrome of “Michael Doughty”), which was probably the best-received, critically and commercially. The standout tracks for me on that album are “Sunken-Eyed Girl,” “Your Misfortune,” and “I Hear The Bells,” but “Looking at the World from the Bottom of a Well” is the single, so to speak. It’s been featured on some tv soundtracks lately, so it’s experiencing a bit of a renaissance and you may have heard it on the radio, if you’re into that sort of thing. Personally, I’m more into this sort of thing:

Now Mike has a new album out entitled Golden Delicious. I haven’t listened to it as much as Haughty Melodic but I’ve been playing it for the past couple weeks and I’m really diggin’ it. My favorite track is “I Wrote a Song About Your Car,” and I also really like “More Bacon Than the Pan Can Handle” and the single “27 Jennifers” which was previously released on his 2003 EP “Rockity Roll.” Here’s the video for “27 Jennifers”:

Last night I had the pleasure of seeing Mike Doughty’s Band live at The Fillmore in San Francisco. He played a good mix of songs from his solo work and the Soul Coughing catalog. There wasn’t anything resembling a mosh pit, but we did get more bacon than the pan can handle. He actually played that track on a Roland SP-606 Sampling Workstation, like in this video. It was quite similar to the way that Jonathan Coulton plays “Mr. Fancy Pants” on the Zendrum in his live act. But I digress.

The non-musical highlight of last night’s show was when Dode set expectations with us for the end of the show. Four songs before the end, he explained that the next song would be “the song before the fake last song,” to be followed by “the fake last song” with an accompanying big rock ending and the re-introduction (including hometowns) of all the members of the band plus the soundguy. The explanation continued something like this, “Following the fake last song, we will turn around, and you will applaud, or not, and then we’ll turn around and act surprised to see you and then we’ll play two additional songs, including the song that’s been getting a lot of radio airplay, and then we’ll leave and you’ll leave.” I had never before heard a performer set such explicit expectations for the end of the show, and particularly liked that he called the fake last song by name.

You can hear more Mike Doughty at last.fm.


Balkan Beat Box (w/Golem) — Live at The Orange Peel, Asheville

Author: tracysigler | Posted: April 25th, 2007 | | Tags: , , , , , | No Comments »

Copenhagen, London, Paris, Stockholm, Tel Aviv, New York, ASHEVILLE! That’s not just where Balkan Beat Box is touring, it’s what they sound like. They’ve been here a couple times before, but this is the first time I’ve seen them. It was an excellent show. And maybe I’m guilty of grade inflation lately, or maybe I don’t get out enough, but I thought this show rocked. Even the crowd rocked. This stuff is just so fresh, fresh, fuh-resh. I’ve been listening to their first, self-titled album constantly for the last few months, through their web site. I finally got around to buying it at the show, along with their brand new release Nu Med. I’m not going to try to explain the sound. Just go to their site. I recommend beginners start with “Cha Cha” and then maybe “Try Rai (Shushan).”

They came out on the dance floor with drums and saxophones to get the show started. Excellent! Then, they made their way to stage and by the second song, “Cha Cha”, (which Tomer Yosef did a lot of rapping on, unlike the studio recording) the entire crowd was jumping up and down. I have never seen so many people going off with their own crazy dance moves. Maybe the music demands inventive steps.

Opening act Golem also put on a solid show. I enjoyed them but I didn’t already know their music. After a while it all started blending together. But their playing and stage presence were great.

“When you hear the chicken… make some noise!”