I recorded this interview with my uncle, Robin Sigler, on Christmas Eve 2009. It’s taken me a while to edit it together with some related photos. I like his philosophy that you don’t have to paint things exactly as you see them. As I watch it and hear all the conversations and dogs whining in the background I feel like I’m back at my parents’ house during the holidays. And I always enjoy our time there.
I have a lot more photographs of Robin’s painting and will eventually add them to the site.
You can run, but you can’t hide from me when I’m carrying the Flip. This latest ambush is with my aunt Jan. For Christmas she made some very fancy embroidered pillow cases for my parents. I can’t imagine sweating and drooling on these masterpieces so I’m guessing they’re ornamental.
I dropped the ball and forgot to get photos while I was there, but I think you can see clearly enough from the video that pillow cases have a lot of detail. Gifts like this really are special, and not just because of the significant amount of time it takes to make something like this. In this (pillow) case it was about 20 hours for the pair.
One year I tried to make every gift I gave, and it just about killed me. Props to everyone makin’ stuff.
I left the video camera running while we did this. The whole shoot took about 30 minutes. I think Paris had the idea for snowflakes. Originally, I wanted to recruit a ton of people, dozens at least, to make one giant snowflake somewhere in downtown Asheville, and shoot it from a building. But the ladies were thumbs down on that. I still may do it one year. That’s a lot of white clothes!
We hope you like it. If you haven’t gotten yours yet and you know you’re on the list email me. We still have a small batch that hasn’t been mailed. If you want one, no matter who you are, just let me know. We have a small number left.
The hits keep coming. Mary made a set of potholders from some funky 1970s style fabric for her funky (in a good way) older sister. She used some fabric meant for covering ironing boards in the middle because it’s heat resistant. Beyond that, she freely admits that she doesn’t know what she’s doing, and didn’t have directions. Freestyle sewing!
This Monster Backpack for our nephew is another Christmas creation by Mary. Handmade all the way. Even the bag it’s wrapped in is handmade. She Googled “cute cartoon monsters” to find different ideas and used them as inspiration for her own thing. To make the applique possible she had to simplify the final design. Mary has advanced sewing skillz, credentials even, but she makes it sound simple.
And, she was wrapping gifts in our freezing cold house. Lots of snow this weekend. Not much electricity. Sorry to whoever was calling during the video. We stop for no one.
The crafty lady is on a roll. This project is a tote bag made from some salvaged wool that she felted. Details include a fancy-pants interior pocket, and a functional/decorative patch. Curse you moths! No pattern was used. Freestyle sewing!
I saw this last year, Christmas 2008, when visiting my in-laws. My mother-in-law Cathy Earle did this fantasy cityscape oil painting in the early 1970s. I believe it was an assignment in an art class she was taking. She had redecorated her office and brought this piece out of the archives. The colors are fantastic, no pun intended. They are an Army family and at first I thought this was real skyline from some place they had been stationed in Europe.
For a closer look see a larger version of this oil painting.
Today’s featured artist also happens to be my aunt Jane. And, it just happens to be her birthday! Together, let us celebrate aunt Jane and her foray into terracotta modication, or should I say “beautification.” This artifact is what paleontologists call a “memory jug” or “memory jar.” On the Mill Creek reservation the natives call this rather large and heavy, but delicate piece the “Juggernaut” or possibly “Jug-or-not.” As all history of this memory jar has been passed from one generation to the next through the oral tradition, and no documentation, save for these photographs, is known to exist, the exact spelling remains a mystery.
The enigmatic artist, who is a particularly social being and yet camera shy, declined to be filmed in our interview about her memory jug magnum opus. If you have any questions about the process involved in producing this jug please post them in the comments section. Jane is known to be a regular reader of this site. On behalf of my aunt who couldn’t appear on video I would like to thank all the little people who contributed to the making of this memory jug.
There is no Photoshop trickery happening here. This image was captured in one take using a single long exposure photograph. Blah blah blah blah, or you can just watch this video. Jump below for the details.
This large scale light painting of a Christmas tree was made in our backyard. On the ground the tree was 55 feet tall and about 25 feet wide. It appears short and fat because of the angle of the photograph. I had the camera, and video camera, in a stairwell window at the back of our house. I’m at least four storeys (someone asked, that is in fact the correct spelling) in the air because our property drops quite a bit. We are in the mountains. But the back lot is nice and flat. I used rope to lay out the tree and enlisted the family and some conveniently located neighbors to move the lights around.
The kids were in the middle of the tree swinging the light sabers (see below) in circles to make the “ornaments” and Mars walked back and forth to make a “garland.” The Moms (Mary and Jill) made the tree outline by waving two light sabers each as they walked along the rope, invariably racing at the end of each take to finish in time. I used a kitchen timer and called out the remaining seconds.
I wanted to do some light painting myself so I took the tripod and camera outside and made some “Nöels” in green and red. Nöel (Which I now know should be spelled “noël” – oof, embarrassing. I was in the dark!) is way easier than trying to write “Merry Christmas,” backward mind you, in the dark, before the time runs out and the shutter closes. Plus, Nöel is so short I was able to turn the light on and off for each letter, and add the umlaut over the “o.” I put a strip of four of these inside the card, along the top.
Nöel Light Painting
We did something similar for the family shot on the back of the card. For this one I used another camera, mounted on separate stand, just for the flash. That way I could move the lights around to make the frame, then get back into position before the second camera flashed, which would make us visible in the photo taken by the first camera. Staggering the timers on the two cameras so that the flash would happen after I was done drawing, but before the shutter closed on the first camera was a challenge. Have I mentioned we were in the dark? The image came out too dark on the card but the original looks good.
Family Portrait Light Painting
This was a fun card to make, but I was stressing about the execution. I mentioned to my friend Gary a couple months ago that I was worried about the logistics and he said something like “only you would have a Christmas card with logistical challenges.” Why do things the easy way? Walk hard.
Camera: Canon G9, 15 second shutter time, ISO 100, some other stuff I can’t remember
Lights: Light sabers from FlashingBlinkyLights.com, only $36 for 12 (Note to parents: some items at FBL are PG13); one regular flashlight for the garland. Sourcing some good lights was probably the toughest part. I looked everywhere, poi stuff, glow sticks, gels, etc. This idea needed large swaths of light and these sabers were perfect, and cheap!
People: 2 moms, 6 kids (one toddler helping Paris), and a gigantic whining dog with me in the stairwell
Want to know what it's like to have brain surgery? Well here's the long version of my experience. Complete with pictures and videos! Read all about the Brain Surgery Experience.
