Title: Musik for Insomniaks (Limited edition Japanese boxed cassette with deck of cards)
Year: 1985
Format: Cassette
Rating (1-10): 6
Owner: Tracy
Acquired: 1985? – I must’ve been working at a record store…
Keeper: Yes
All the nerds in the house say, “Hey!” This one is for you. I know I promised something for the nerds the other day, but I’ve been planning on posting Mark Mothersbaugh’s Musik for Insomniaks since I saw him playing “guest programmer” on TCM a couple weeks ago.
Mark had some interesting movie choices. I didn’t see his entire shift. I wonder if Robert Osborne asked him about Devo. Anyhow… Of course, Mark has made many soundtracks and that’s pretty much what Musik for Insomniaks sounds like. It’s a little too staccato to be considered truly soporific (false advertising!) but it does get boring at times. And those times really depend on the listener because all of the “songs” sound similar. I thought I was playing the same side of the tape by mistake for a minute, but it turned to be side 2 after all. Even the names of the songs are similar: “XP25”, “XP31”, etc. To be fair, the collection is really more like a film score where the pieces are variations of the core theme. It’s all instrumental, with no drums or guitar, that I could tell.
What makes this piece interesting enough to keep is the total package. This version was a Japanese import produced as limited edition boxed cassette with a deck of cards. Mothersbaugh completely covered this thing with art and quirkiness. The text on the cover is in gold leaf box, the cassette itself is metallic gold, there is a comic inside the box top, and included is a letter in kanji signed by Mark. I saved the best for last, there is also a full deck of playing cards, to play some sleep-inducing Solitaire I assume. All the cards have a different picture of Mark. For each suit he is wearing a different suit of his own. I don’t know who the woman is with him on one of the Joker cards.
This is our favorite card so far, and not just because it’s a bunch of pictures of us. It took two days, three separate shooting sessions, and more wardrobe changes than a Cher concert.
We were having our usual dinner table brainstorm back in November when Mars came up with “candy cane.” And that was like a lightning bolt of silliness to my head. I have been wanting to do a card using our bodies as props, and I immediately realized that with our martial arts gear and street clothes we had everything we needed to be human red and white stripes. Almost everything that is. I didn’t have any red pants. It took some hunting but I was able to find some $10 Sporty Spice wind pants at the local discount store.
Our basement has a high ceiling. It also has a killer skateboard ramp. We put our low-buck “green screen,” about 10 yards of cheapo green fabric, in the middle of the ramp flat bottom. I put the camera on a tripod, but then lodged it in the plumbing running across the ceiling. This set up worked pretty well. If I had taken the time to tack down the fabric to get rid of the wrinkles it would have saved some time in the editing. Also using better lighting would have made this easier. I just used halogen construction lights placed on each deck of the ramp.
With everything in place we started posing. Mary, Paris and Mars would lie on the fabric first. Then, I would climb up a step ladder, start the timer, jump down and throw the ladder to side because it caused shadows, and try to get into position in time. The hardest part to get right was the radius. We used blue tape as guide, but it took some trial and error. Unfortunately, I couldn’t tell if it would work and be in scale until I was editing the pictures together. “Everybody put your stripe clothes back on.”
Acquired: 1986 – Probably when I worked at Mother’s Records
Keeper: Yes
The great one from the great ones. Some, people smarter than me that is, consider this the greatest heavy metal album of all time. I wouldn’t argue with that.
I was listening to Rodrigo y Gabriela‘s version of Metallica’s “Orion” this Saturday and decided I should play the original, which ended up turning into a Metallica history lesson for my son Mars. Then, coincidentally on Sunday I got another, and unexpected, dose of Master of Puppets. We were at our kids’ music recital where most of the tunes were seasonally-correct holiday stuff. But then this one middle-school-age-looking youngster came up to play the title track, “Master of Puppets.” He was even wearing the t-shirt. He has the same cool teacher as my kids, and his teacher accompanied him on bass. There is nothing simple about this music. It’s intense in every way, but the kid did a solid job getting pretty far through the song then stopped somewhat abruptly before the pretty bridge and solos.
I was looking around the room at the faces of the parents and relatives wondering if anyone else in the room was getting it. As great as this music is, it’s not for everyone. And even for metal aficionados it takes some adaptation just to digest what’s going on. I’ve played “Master” more than you can imagine and I was still surprised how fast, intense and sophisticated it is when I spun it again this week. I was talking to the kids’ teacher yesterday and as he put it, “it still holds up.” Indeed. Side one alone qualifies it as a “10” in my book.
Check it out:
“Battery”
“Master of Puppets”
“The Thing That Should Not Be” (for you fans of H.P. Lovecraft)
“Welcome Home (Sanitarium)”
Also worth mentioning about “Master” is that it was the last album with bassist Cliff Burton. He would die in a bus accident while on tour. OK, everybody knows that. But do you know this? Tipper Gore’s PMRC had it in for the title tack, which they apparently said was about “getting kids hooked on drugs.” Any moron could read the lyric sheet and see that the song was about the nightmare of drug addiction. I remember reading an interview with James Hetfield some time after the flare up. He might have even had to testify at a Senate hearing, can’t remember for sure. When he was asked about the whole thing he just said “people are going to believe what they want.” He didn’t need to explain anything.
Smashing through boundaries
Lunacy has found me
Cannot stop the Battery!
I’m back! And what brought me back? Too many chocolate chip cookies and an awesome dance single.
Mary and I heard Dead Or Alive’s “You Spin Me Round (Like a Record)” on the car radio yesterday, and I just had to hear it again. The version on this 12 inch is the “Performance Mix” and you can believe I was doing a performance all three times I blasted it today. I did move to turn it down a bit when I saw the UPS guy outside, but fortunately he went to another house. I was able to complete my dance routine mostly without interruption. And pretty much everybody has to dance when they hear this classic. It’s so punchy!
The performance by singer Pete Burns is so complete and uninhibited that I can’t imagine it being more entertaining. And I’m only talking about his singing, see the video for more. Life lesson from Pete Burns: If you going to do something, do it all the way and don’t hold anything back. Except maybe when it comes to body mods. I saw Pete on some strange TV show a while back and I think he’s overdosed on plastic surgery.
Like a record baby!
Dead Or Alive – You may be surprised who has been associated with this band over the years. Pete Burns
New Wyclef Jean coming out next month, Carnival II (Memoirs of an Immigrant), December 4 to be precise. This single “Riot” is intense, with more riffs and breaks than most albums. And if you can believe this, it features Serj Tankian (System of a Down)… rapping. Listen to it.
Here’s another 12 inch from those former Human League-ers, Heaven 17. “Height of the Fighting (He-La-Hu)” is pretty enjoyable, but I can’t really remember the mixes on the other side. Even if you don’t dig this early electronic music, you gotta love the cover art by Jill Mumford.
This is one quiet and dark album. I am huge PJ Harvey fan, and I just got this album. At first I was disappointed how quiet and low key these songs are, all of them. Drums and percussion are virtually non-existent, and no song rocks out the way PJ always seems to, eventually. But there’s a different kind of power here. According to PJ, see the documentary below, she was determined not to repeat herself. I have probably listened to the entire album 10 times in the last 24 hours and each time it gets better.
White Chalk is being release in a limited edition vinyl version, which tragically I do not have. But the CD is packaged in a more earth-friendly way, similar to a real record, with a cardboard jacket and separate liner. Handsome.
(GI) is the only the studio album The Germs ever recorded. It’s been a long long time since I last played it, and to be honest I never played that much. I probably wouldn’t be playing it now if it weren’t for this site, which is really just an exercise I concocted to make me play everything we own at least one more time.
I was surprised how hardcore punk it sounds; this was only 1979. Reading about it I saw that (GI) is considered one of the first records of the hardcore genre. There are a number of well-known folks with a Germs connection, including guitarist Pat Smear (later in Foo Fighters), very briefly Belinda Carlisle, and it was produced by Joan Jett. Singer Darby Crash is probably best known for dying in a sad, deliberate and stupid heroin suicide.
There aren’t many memories for me associated with The Germs other than going to see the excellent movie The Decline of Western Civilization. It’s by director Penelope Spheeris and it’s about the early LA punk scene. I went with my friend Jeff Arthur, and maybe some other folks, to see a late night showing of it at the Naro Expanded Cinema in Norfolk, VA. The audience was full of teenagers looking as punk and hard as possible, and generally acting stupid. We blended right in.
(GI) is just one of those records a punk (rocker) of my vintage feels obligated to have, and keep, so I guess I will.
Acquired: 2005 – Another one I got from Bob Bobala
Keeper: Yes
Fastway was a hard rock/metal super group with members from Motörhead, Humble Pie, and UFO. Believe it or not, the then-unknown singer Dave King went on to found Flogging Molly. Believe it.
I have always loved the song “Say What You Will” but I never got around to getting the album. Bob Bob’s record collection to the rescue again. (I guess it’s just the luck of the draw but it seems like his old records are popping up more than my own lately.) Some of the songs are highly mediocre, but when they’re good they’re great. Another favorite is “Another Day.” Included with Bob’s copy of Fastway is a one-sided 7 inch with a Zeppelin-style dirge titled “Far Far From Home.” I don’t know what the story is with that song, but I dig it.
I have the perfect Halloween soundtrack for you: Einstürzende Neubauten’s Strategies Against Architecture 80-83. These guys are the uncrowned kings of noise and experimental music. This early compilation is particularly eerie, and metallic, in the literal sense of the word. Typical “instruments” listed for each song include “hollow metal object”, “metal plates”, “scratching metal”, “air conditioning duct” and so on. What vocals are there, are, how you say… distressed? And check out a few of these Halloween-ready titles: “Tanz Debil (A Dance of Mental Illness)”, “Schmerzen Hören (Listen with Pain)”, “Draußen ist Feindlich (Outside is Hostile).”
Of course, the band expanded beyond this type of music over the years. And they have put on some noteworthy live performances in their time. I have never seen them in person, but I did get to see leader Blixa Bargeld once with Nick Cave.
They have a MySpace page. The two songs there are very pretty, and not at all like what this album is like.
You should read this Wikipedia article about Einstürzende Neubauten. No self-respecting art school student should be without some of their music.
Want to know what it's like to have brain surgery? Well here's the long version of my experience. Complete with pictures and videos! Read all about the Brain Surgery Experience.
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