Nick Cave and The Bad Seeds — Deanna

• Artist: Nick Cave and The Bad Seeds
• Title: Deanna
• Year: 1988
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Mary
• Acquired: 1988 – RIP Records in Norfolk, VA
• Keeper: Yes

I love the song “Deanna.” And it’s surprisingly sing-along for a song by Nick Cave and The Bad Seeds. Despite it’s and fast tempo and upbeat feel the song’s lyrics come across as typically dark, for Mr. Cave, that is. I don’t know what it’s about, but “I’m not down for your love, I’m not down here for your money… I’m down here for your soul” sounds like this character is up to no good. “Girl at the Bottom of My Glass” on the flipside is very minimalist, but also very good.

Oh, Deanna… Oh, D-E-Anna…

Bad Company — Straight Shooter

• Artist: Bad Company
• Title: Straight Shooter
• Year: 1975
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Tracy
• Acquired: 1999? – Used, maybe Record Mart in Alexandria, VA
• Keeper: Yes

Straight Shooter is another great sounding record by Bad Company, but I don’t think it’s as good their self-titled debut. That said, it does have my favorite Bad Company song, “Feel Like Makin’ Love.” I can’t seem to play that song loud enough. Those guitars are so crunchin’, the drums so cracking, and the sparse lead guitar accents sound so fat and huge I just want more. I’m a sucker for the pretty verse then heavy chorus thing. Another great one is “Shooting Star.” “Good Lovin’ Gone Bad” is a distant third to those but it’s fun to listen to, maybe because I remember it from the radio when I was a kid.

There are only eight songs on Straight Shooter and the other five are pretty forgettable. I’ve played this record a lot and I can’t remember them, so, it must be true.

AC/DC — Back in Black

• Artist: AC/DC
• Title: Back in Black
• Year: 1980
• Format: Vinyl 12 in.
• Rating (1-10): 10
• Owner: Tracy
• Acquired: I really don’t know…
• Keeper: Yes

Even I’m Heavy Duty! needs a vacation occasionally, but we’re starting back with a winner: AC/DC’s Back in Black. Most folks probably think this one is their best record, but to me it’s a close second to Highway to Hell.

Between the all black album cover and Brian Johnson’s over-the-top lyrics if I didn’t know this was AC/DC I’d be tempted to think this record was a Spinal Tap tribute. Except that the music is infinitely better and Spinal Tap didn’t come out until four years later. My friend Gary’s favorite Spinal Tap moment is the lyric “Let me cut your cake with my knife.” Pretty hard to beat that one.

Back in Black would rate a 10 in my book just for the title track alone, but it also contains the classics “Hells Bells” and “You Shook Me All Night Long.” Some other favorites of mine are “Have a Drink on Me” and the corny-titled, but hard rocking album closer “Rock and Roll Ain’t Noise Pollution.”

Asheville Living — Horseback Riding at the Biltmore Estate

We finished a major renovation project on the house this week. So, we took a break and my daughter Paris and I rode the horses around the yard for a while. From the back the house looks a lot like the Biltmore estate.

Paris’s horse was named Dusty and my trusty steed was called Cowboy. I decided to change my name to Horse for the day just to keep things weird. Our guide told me that Cowboy was a little slow and that I would have to kick him pretty often to keep him moving. Then, she said “I’m not exaggerating.” And she wasn’t. Homeboy, I mean Cowboy, was lazy. It took about 20 minutes until we came to an understanding of who was the real cowboy. After that we’re were trucking along just fine. It’s good to be back in the saddle. Yee haw!

Plastilina Mosh — DVD

• Artist: Plastilina Mosh
• Title: DVD
• Year: 2005
• Format: DVD
• Rating (1-10): 10
• Owner: Tracy
• Acquired: 2007 – Amazon.com
• Keeper: Yes

It’s Cinco de Mayo time! Today we celebrate Mexico sticking to the French in 1862, and Plastilina Mosh. We’ve reached the end of my Plastilina Mosh collection. Tonight we have a DVD titled simply, DVD. And the only thing I like better than Plastina Mosh’s music is their music plus video. After seeing a couple PMosh videos on MTV3 I knew I had to get a hold of this. I’ll admit that I haven’t seen the entire thing. There are a bunch of album documentaries and extras. But I have watched all twelve music videos and they are so damn good I give it a rating of 10 just for those.

By now you know I’m a complete fan of their music, and that I think they are geniuses. Their videos just take all of that creativity, fun, funk and hard rocking to another level of entertainment. Every one of these music videos is excellent, and no two are similar. “Mr. P Mosh” borders on being Dali-esque in it’s silliness.

As I understand it, this was released as a companion to the double CD collection, which explains the matching artwork. I love the pic of the guys in tuxedos inside the case. Is it me, or do those heads look pasted on National Enquirer style?

Long live Plastilina Mosh!

Plastilina Mosh — Tasty + b sides

• Artist: Plastilina Mosh
• Title: Tasty + b sides
• Year: 2006
• Format: CD
• Rating (1-10): 9
• Owner: Tracy
• Acquired: 2007 – Amazon.com

Happy Cinco de Mayo eve! The only thing better than a Plastilina Mosh album is a Plastilina Mosh double album. And that’s what we have with Tasty + b sides. It’s considered a “best of” of sorts, but a slight majority of the songs on the two discs weren’t on any of the first three albums. On the Tasty disc there are four brand new songs and those alone make it worth the price. I love all of them, but my favorite of that batch is “Nalguita.” You can check that one out at the PMosh MySpace page. It’s too good for words. And what’s with that song at MySpace called “Babasonicos remix”? That’s not on any album I have! Curses!

The b sides disc curiously has a number of songs from previous albums, but it also has some really heavy stuff. “Quiero Mi Pastilla” is a hyper-speed punk piece, and “Purrum Pum Pum” is a metallic dirge. Who would think a chorus of “Purrum Pum Pum” could sound so heavy? I don’t think it means anything, but it sounds cool. I’m surprised most of these weren’t on the other releases. The All Music Guide has a good review of this collection, and short clips of all the songs, if you want to know more. Tasty + b sides is a great place to start if you’re looking to get some of their music.

As usual, the album artwork and packaging are excellent. The jewel case comes in a cover with sketches of the fellas. The booklet has a bunch of great photos, and the front cover pic of a couple kissing in the park is fantastic. It evokes the same emotions as their music. The inside of the back of the jewel case contains the words “Happy Listening.” That’s as much a description of the music as instruction for using it.

Plastilina Mosh — Hola Chicuelos

• Artist: Plastilina Mosh
• Title: Hola Chicuelos
• Year: 2003
• Format: CD
• Rating (1-10): 9
• Owner: Tracy
• Acquired: 2007 – Secondspin.com

For a long time I was unable to find the Plastilina Mosh albums I was missing. The first one, Auqamosh, can be especially expensive and I’ve seen listed in numerous online stores for $80(?!). For real. I found Hola Chicuelos used at Secondspin. For this one they moved to EMI Latin. All notes are in Spanish.

Hola Chicuelos is another piece of music greatness from the genius duo. Like the first two it’s stylistically all over the place. I think a few songs made it to the Latin charts. “Peligroso Pop” is maybe the most poignant sounding pop song I’ve ever heard. Now, I don’t have any idea what they are saying. The lyrics could be his grocery list but the total sound kills me. “Garret Club” is sort of like a jazz dance number, with real horns and strings. I love that one too. “Te lo juro por Madonna” is a rocked out tune with a great guitar riff. I believe that one was a hit. Another hit was “Enzo.” After “Peligroso Pop” this is my favorite. It’s mid-tempo, uses a lot of megaphone, some quick rapping (Or is that sportscasting? I can’t tell.), and a great sing along, or at least hum along chorus.

The album art is again quality stuff. The pages show Jonaz and Alejandro in their individual hotel rooms and, well, it’s just funny when you flip through it.

Plastilina Mosh — Juan Manuel

• Artist: Plastilina Mosh
• Title: Juan Manuel
• Year: 2000
• Format: CD
• Rating (1-10): 10
• Owner: Tracy
• Acquired: 2000 – Amazon.com

Juan Manuel is the second album by Plastilina Mosh and the first one I bought. It’s named for a good friend of theirs. I stumbled upon it when reading reviews about another Mexican group I was interested at the time, Titan (pronounced tee-tahn). This record is a little less rocked out than their debut but it’s my favorite. With the exception of “Supercombo Electronico” there isn’t much hard rocking here at all. There are some jazzy funk and funky jazz tunes like “Saint Tropez is not Far”, ethereal numbers like “Shampoo”, and plenty of great dance stuff like “Human Disco Ball.” My absolute favorite song is the super-chill, slow tempo, vocoder vocaled “Baretta ’89.” I don’t think I’ve ever heard such a essentially mellow song that is this exciting.

Also included on this “enhanced CD” is a great video for “Human Disco Ball” depicting the “enchanting story of a boy and his pinball machine.” Like I said yesterday, I’ll get back to the videos later. Another music hero of mine, Money Mark, has a production credit on the record. At first I thought his fingerprints were on everything, but it turns he only did three songs. And great album art is not dead! For one funny tidbit look inside the tabs that hold the CD center. I think that face peeking out may be Juan Manuel himself.

The album is bookended by two beautifully strange instrumentals, “Nordic Laser” and “Good Bye Happy Farm.” The latter ends with the sounds of horse hoofs slowly clip-clopping off into the distance. What could be better than that?

Plastilina Mosh — Aquamosh

• Artist: Plastilina Mosh
• Title: Aquamosh
• Year: 1998
• Format: CD
• Rating (1-10): 9
• Owner: Tracy
• Acquired: 2007 – SecondSpin.com
• Keeper: Yes

In celebration of Cinco de Mayo this coming Saturday I’m going to spend the week posting about some Mexican musicians who are my favorite band. And I don’t mean my favorite band from Mexico; I mean favorite band, period. Ladies and gentlemen… Plastilina Mosh!

I would like Beck as much as PMosh if he were twice as energetic and half as moody, and the Beastie Boys as much if they were as consistent. There is a connection there, but they are no imitators. They use Spanish and English, and other languages, in the same songs. They play songs in styles ranging from pure hip hop, rock and roll, punk, disco, lounge, noise, stuff I can’t explain or have never heard before, jazzy Stereolab-sounding things, and more. They appear to have no rules other than making good music. All that from only two guys, Alejandro Rosso and Jonás González.

Plastilina Mosh has had some real commercial success, especially in Latin markets. If you’re lucky you can catch one of their videos on MTV3, or MTV “Tr3�?s.” This is the one MTV that actually plays music videos. Isn’t that what MTV2 was for? Or, for that matter the original MTV? Anyhow, even their videos are great. I’ll get back to that later in the week.

Auqamosh is their debut album, but I didn’t get hip to them until their second release, Juan Manuel. My favorites from this one are the slamming rock hip hop opener “Niño Bomba”, “Afroman”, the hit “Monster Truck.”

Introduce yourself to Mr. P. Mosh.

Various Artists — Back from the Grave Volume Four

Various Artists -- Back from the Grave Volume Four

• Artist: Various Artists
• Title: Back from the Grave Volume Four
• Year: 1984
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Tracy
• Acquired: 1984 – Mail order?
• Keeper: Yes

The ultra-cool Crypt Records put out the Back from the Grave series in the 1980s. I have a few records from the series and this is the first one I came across. These records are compilations of relatively obscure 1960s garage rock bands. Many of these groups, despite that they often wore matching shirts or suits, can, and should, be considered the original punk rockers. This stuff had a pretty solid cult following in the 1980s. There were even quite a few new bands at the time emulating the sound and look of the originals. The Fuzztones, Nomads, Vipers, Lyres, and Chesterfield Kings are some of the better-known ones.

If you study the album cover you’ll notice the ’60s punk rock zombies are back to take over. Robin is driving the Batmobile dragging Cyndi Lauper(?), Boy George and Prince. Hippies, joggers and break dancers are all getting their comeuppance.

I find it interesting now, looking back, that less than 20 years after this music was new that there was such an interest by some folks in the 1980s. Maybe it was a reaction to the glut of synth music at the time. Is it possible this niche guitar rock revival eventually went more mainstream in the form of “grunge”? Anyhow, I find it hard to imagine that right now in 2007 there will be a revival of underground late 1980s music. This ’60s garage rock was special, from a special time right before music got a little less fun. It reminds me of the movie Animal House. It came out in 1978 and was set in 1962, only sixteen years earlier. But think about how different those periods were. Would a movie today set in 1991 seem that distant?

The Sonics are by far the best-known band on this record. My favorite track is the extra-fuzzed out “Flash and Crash” by Rocky and the Riddlers.