Radiohead — Kid A

Radiohead fans raise your hands. I guess I’m a fan, but it’s an intermittent relationship at best. Maybe you hard core folks can comment on what makes Radiohead so great. I bought their first album, Pablo Honey when it first came out, and let’s be honest, it was pretty inconsistent. Unfortunately, that stuck with me and I missed out for a while when they started making great music.

Kid A actually won a Grammy for Best Alternative Album and was nominated for Album of the Year. This version is an appropriately arty package for an increasingly experimental band. It’s a gatefold double LP, on vinyl of course, but records are 10 inchers, not 12. All sides of the gatefold and liners are covered with art by Stanley Donwood and singer Thom Yorke.

I like Kid A, but it’s not something I’ll play often. The overall vibe is like a Pink Floyd album, not really my thing. I thought maybe I was crazy, or maybe just old, for thinking that, but I’ve read the comparison elsewhere.

Plastilina Mosh — Juan Manuel

• Artist: Plastilina Mosh
• Title: Juan Manuel
• Year: 2000
• Format: CD
• Rating (1-10): 10
• Owner: Tracy
• Acquired: 2000 – Amazon.com

Juan Manuel is the second album by Plastilina Mosh and the first one I bought. It’s named for a good friend of theirs. I stumbled upon it when reading reviews about another Mexican group I was interested at the time, Titan (pronounced tee-tahn). This record is a little less rocked out than their debut but it’s my favorite. With the exception of “Supercombo Electronico” there isn’t much hard rocking here at all. There are some jazzy funk and funky jazz tunes like “Saint Tropez is not Far”, ethereal numbers like “Shampoo”, and plenty of great dance stuff like “Human Disco Ball.” My absolute favorite song is the super-chill, slow tempo, vocoder vocaled “Baretta ’89.” I don’t think I’ve ever heard such a essentially mellow song that is this exciting.

Also included on this “enhanced CD” is a great video for “Human Disco Ball” depicting the “enchanting story of a boy and his pinball machine.” Like I said yesterday, I’ll get back to the videos later. Another music hero of mine, Money Mark, has a production credit on the record. At first I thought his fingerprints were on everything, but it turns he only did three songs. And great album art is not dead! For one funny tidbit look inside the tabs that hold the CD center. I think that face peeking out may be Juan Manuel himself.

The album is bookended by two beautifully strange instrumentals, “Nordic Laser” and “Good Bye Happy Farm.” The latter ends with the sounds of horse hoofs slowly clip-clopping off into the distance. What could be better than that?