Joe Satriani – Surfing With the Alien

• Artist: Joe Satriani
• Title: Surfing With the Alien
• Year: 1987
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Tracy
• Acquired: 1987 – Bought when I worked at Mother’s Records in Hampton, VA
• Keeper: Yes

This record is awesome! Sure, it’s mostly for guitar geeks or wannabes, the songs are sorta stiff, and much of the drums are programmed. But who cares!? That stuff is not what Joe Satriani and Surfing With the Alien are all about. Besides, his playing is so exciting and the solos so completely excellent that they are the hooks, and what make the tunes memorable. I can’t pretend to play this stuff on guitar but I tell you I can hum along with every note, and of course air guitar the entire record. It sticks with you.

Be-cause
he’s just
that good.

Bonus on this post is that I remembered to take a pic of the liner with Joe rocking in the Reebok hightops. Bonus number two is that I found my ticket stub from seeing him live in 1988. Mary and I went to see him with my friends Bennie Ingram and Jeff Slay. Of course Joe tore the Boathouse roof off.

Check out Joe’s site.

Wolfmother — Wolfmother

Wolfmother -- Wolfmother

• Artist: Wolfmother
• Title: Wolfmother
• Year: 2006
• Format: CD
• Rating (1-10): 8
• Owner: Tracy / Mary
• Acquired: Not sure.
• Keeper: Yes

These guys have been everywhere in the last few months. Letterman, Leno, movie soundtracks, and I even heard their first single “Woman” used in a recap of the women’s tennis competition one evening during the US Open. Cleverrrrr.

When I first heard Wolfmother’s self-titled album I thought it was the rock and roll equivalent of macaroni and cheese. By that I mean at a glance it was cheesy and familiar, but damn tasty! And of course you just want more and more. Now that we’ve had the disc for a while I can say that it’s much more than that. In fact, it’s a well-rounded meal of music with everything from heavy Sabbathy riffs to pretty pop pieces. Despite some obvious old-school influences and sounds, overall it’s still very modern.

I’ve seen a lot of stuff comparing them to the White Stripes, complaining about it even, but I think that is mostly because of singer Andrew Stockdale’s voice. That said, even my 10 year old son said “this sounds like the White Stripes” on hearing the frantic song “Apple Tree.”

This is a great album that I think will appeal to a lot of folks, even those oblivious to the older influences. And that album cover art in pure genius, hilarious. I was just about to call it “Frazetta-style” when I read the liner notes to see that it is in fact the real deal, a Frank Frazetta original.

AC/DC — Dirty Deeds Done Dirt Cheap

• Artist: AC/DC
• Title: Dirty Deeds Done Dirt Cheap
• Year: 1976
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Tracy
• Acquired: ? Bought it used, a long time ago.
• Keeper: Yes

It’s tragic. My Bon Scott era AC/DC collection is incomplete. And I like the early stuff the best. Brian Johnson is fine, but the early sound was much more garage rock, punk rock, and traditional rock and roll. “Dirty Deeds Done Dirt Cheap” is full of silly songs that you never need to hear more than once, but there are also some classics. My favorite is definitely “Problem Child.” Of course, the title track is also excellent, and so are “Ain’t No Fun Waiting Round to be a Millionaire” and “Ride On.”

Zodiac Mindwarp and The Love Reaction — Tattooed Beat Messiah

Zodiac Mindwarp and The Love Reaction -- Tattooed Beat Messiah

• Artist: Zodiac Mindwarp and The Love Reaction
• Title: Tattooed Beat Messiah
• Year: 1988
• Format: Vinyl 12 in.
• Rating (1-10): 6
• Owner: Tracy
• Acquired: 1988 – Got the domestic from our store RIP Records, and the UK from Venus Records, both in Norfolk, VA.
• Keeper: Maybe

Oh man, how I used to love this Zodiac Mindwarp and The Love Reaction stuff. Even when it was new I thought it was completely silly, but fun and rocking when little else was. We saw them once, at what Mary and I still call the old 9:30 Club (Wikipedia) in D.C. The old one on F Street was a lot smaller, but super fun. I think it moved in the mid-1990s. Anyhow, the show rocked and they seemed to have fun mocking the rockstar thing.

This ain’t really doing it for me now. “Tattooed Beat Messiah” was the first full LP, and on major labels in the US and UK. I have both versions. They’re mostly the same except for some minor typographical differences on the back cover. The UK version also came with a large poster and liner notes. By the time this record came out I think most of the really entertaining songs had already been released in whatever version on EPs and 12 inch singles. And the same ol’ sleazy lyrics–big riffs and solos–horn section schtick gets pretty tired over the course of full length album.

Van Halen — Diver Down

Van Halen -- Diver Down

• Artist: Van Halen
• Title: Diver Down
• Year: 1982
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Tracy
• Acquired: Used. Can remember when or where…

This is the fifth Van Halen record, and at least the third time I’ve mentioned how cool there were because they performed covers on their records. Name another multi-platinum selling hard rock group that did this on a regular basis. It was a tradition that mostly died in the 1960s, when bands were covering even comtemporary hits. On “Diver Down” they might’ve gone over the top. There are five covers here, and from all types of music and periods.

“Where Have All The Good Times Gone” by The Kinks is my favorite cover, and maybe my favorite song on the album. I’ve always loved The Kinks. “Diver Down” was a rush job and that’s probably why there are so many covers. ClassicVanHalen.com explains the whole sitch.

Muse — Black Holes and Revelations

• Artist: Muse
• Title: Black Holes and Revelations
• Year: 2006
• Format: CD
• Rating (1-10): 10
• Owner: Mary/Tracy
• Acquired: 2006 – No place special, Target maybe.

This is post number 200 in the “record” collection category. I’m celebrating with something special, something new for you kids and grups out there — “Black Holes and Revelations” by Muse.

This band is so musically ambitious and perfectly weird I can think of few, if any, meaningful comparisons. Despite that, or possibly because of it, their last two records have been big commercial successes, even in the US. Their music is metallic, operatic, funky, melodic, pop and everything else you can think of, and somehow it never sounds diluted. Again, this stuff is ambitious, not the output of a few dudes getting together and just jamming out some verses and choruses. And their timing is impeccable. Just before things get too weird for too long they pull out some colossal riff, drop the hammer, and perform another hard rock burnout.

The last song, “Knights of Cydonia”, is probably my favorite. This piece has everything in it from an Ennio Morricone-sounding spaghetti western guitar, to space alien electronica, to anthemic choruses. Just after the four minute mark something extra special happens that on first hearing was so unexpected, and every time thereafter so anticipated, that I break out in goosebumps. More about Muse.

Zodiac Mindwarp and The Love Reaction — Interview Picture Disc No. 2

Zodiac Mindwarp and The Love Reaction -- Interview Picture Disc No. 2

• Artist: Zodiac Mindwarp and The Love Reaction
• Title: Interview Picture Disc No. 2
• Year: 1987
• Format: Vinyl 12 in.
• Rating (1-10): 5
• Owner: Tracy
• Acquired: 1987 – Bought it when I worked at Mother’s Records in Hampton, VA.
• Keeper: No

OK, this is getting a little embarrassing. I have way too much Zodiac Mindwarp stuff, and this second “Interview Picture Disc” is proof enough. At least this one is a decent interview, with good sound quality, good pictures, etc. But it’s gotta go.

Van Halen — Fair Warning

Van Halen -- Fair Warning

• Artist: Van Halen
• Title: Fair Warning
• Year: 1981
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Tracy
• Acquired: Dunno

I should’ve mentioned this earlier. Ted Templeton’s production work on these records is fantastic. He’s a genius. Anyhow, Van Halen’s “Fair Warning” is excellent and the lead track, “Mean Street”, is possibly my favorite song from all their work. It’s rock and roll perfection, from the guitar solo intro, Dave’s lyrics and singing, the riffs, the bridge, to the slow fade. Other hits and personal faves include “So This Is Love?” and “Unchained.”

And we don’t worry ’bout tomorrow
Cause we’re sick of these four walls
Now what ya think is nothing
Might be something after all

Zodiac Mindwarp and The Love Reaction — Interview Picture Disc

Zodiac Mindwarp and The Love Reaction -- Interview Picture Disc

• Artist: Zodiac Mindwarp and The Love Reaction
• Title: Interview Picture Disc
• Year: 1988 ?
• Format: Vinyl 12 in.
• Rating (1-10): 1
• Owner: Tracy
• Acquired: Not sure.
• Keeper: No

If you’re a fanatic about Zodiac Mindwarp and The Love Reaction you may want to have this “Interview Picture Disc.” I was a pretty big fan, but even I don’t want it now. Sure, there are a couple cool pics of the band, in the record itself, but the “interview” is pretty unlistenable. I doubt this recording was intended to be released to the public. It sounds like it was conducted in a busy office, complete with people opening and closing doors, and phones ringing loudly and often.

X — See How We Are

X -- See How We Are

• Artist: X
• Title: See How We Are
• Year: 1987
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Tracy
• Acquired: 1987 – When I worked at Mother’s Records in Hampton, VA.
• Keeper: Yes

I need to listen to this one again. “See How We Are” was never my favorite X record, but I really wasn’t getting into it after a couple listens today. I do like the songs “4th of July” and the title-track “See How We Are”, but the rest of the album just sounds flat. And that’s despite that there are a number of high-energy fast-tempo songs. Overall it just sounds like they’re bummed out. Maybe they were.

I got to see them live, touring for this record, at the Ritz in New York. They were the opening act for Warren Zevon. To me, at the time that was a bill that didn’t make sense. The whole show was kind of a poignant downer. Guitarist Billy Zoom wasn’t there, replaced by Tony Gilkyson in concert and on the album too, and John Doe and Exene had broken up. The latter point was really driven home by Exene being visibly pregnant with someone else’s child. On top of all that, the biggest let down and surprise was that the most of the crowd was actually there to see Warren Zevon. Maybe I was the last guy to know it was the end for X.

Here’s an article about that show from the New York Times archives. Guess who gets 90% of the ink.