If you’ve heard only one song by Motörhead it’s almost certainly “Ace of Spades” from the album of the same name. There’s an AT&T television ad in heavy rotation, or maybe it’s just the type of shows I watch, that has a burly metalhead singing the song at the end. I’ve seen it so much I had to hear the real thing again.
One fun thing about the Ace of Spades (1980, this version on Profile Records 1986) album is its copious use of that curious percussion instrument the vibraslap. Hear one at Wikipedia. No sound conjures up the spaghetti-western, guns-about-to-be-drawn vibe more than the vibraslap’s rattle. I first became intimately familiar with the vibraslap when I was a percussionist in my junior high band, and I’ve been in love with it ever since. So, it’s probably no coincidence that my all time favorite Motorhead song is “Shoot You in the Back.” Just listen to all that vibraslap.
There are a few other great songs, but despite its fame this is not a consistent record. Unfortunately, there is also some really off-putting stuff like “Jailbait.” Come on, man.
This is a great great album everyone should have. I have always loved it but I just now learned that many of my favorites are covers of original ska tunes. Nothing wrong with that! I was also surprised that singer Terry Hall has no individual writing credits on Specials at all.
Raw, loud, fast, naked rock and roll power! I will never tire of it, or The Hellacopters. I just read that after a tour of Europe for their new album Head Off they are calling it quits. So sad. We end the week with another great one, Grande Rock, released in 1999 by Sub Pop. I got this record from Olsson’s in Old Town Alexandria, VA. Yes, it is vinyl. Olsson’s was cool enough to maintain a small vinyl section, but I think I had them special order this. My favorites are “Dogday Mornings” and “Venus in Force.” I brought this home and started playing it right away. Mere seconds after the needle hit the groove my daughter Paris, who was five years old at the time, exclaimed “I know that’s rock and roll!” I raise ’em right.
What a complete breakdown in posting discipline. Things happen, and these records take time to post. This one is worth the wait though. Not that I’ve been waiting. I’ve been spinning Supershitty to the Max (1996) by The Hellacopters every day since I mentioned the guys last week. This is their first record and I’ve been in love with them ever since. Thanks to Bob Schick for turning me on, and tuning me in.
Supershitty is totally raw rock and roll in the spirit of The Stooges, Motorhead and roots punk. There’s no hint whatsoever of the occasional power pop song you hear on their later recordings. My favorite, and what too often feels like my theme song, is “Born Broke.”
Now that my son Mars discovered there is a bonus song by The Hellacopters in Guitar Hero III I can’t imagine my productivity is going to increase any time soon.
I typically play what I’m posting, but today I’m posting what I’ve been playing: Led Zeppelin’s Presence (1976). I had a hankering to hear “Nobody’s Fault but Mine,” but once this record started spinning I rediscovered some other gems like “Hots on for Nowhere” and “Royal Orleans.” There are only seven songs, but I was still surprised to read this album was recorded and mixed in only 17 days. I believe I bought Presence in the mid ’80s when I worked at a chain record store. I was late to the Zeppelin party due to acute punkrockitis.
This version of The Fall’s “There’s a Ghost in My House” (1987) has a hologram on the cover. It wasn’t easy to get a pic that clearly showed the hologram, but you’re worth it. It’s kept in a paper bag because holograms, like old color photographs, fade when they are exposed to light. “Ghost” is a typical alt-rock Fall song and I like it fine. “Haf Found Bormann” on the flip is a little too “art” to be on your summer mix tape.
On the back cover:
HOLOVISION
Making holograms part of todays (sic) world
Welcome to the singles club. At least that’s what I think I’ll be posting all week. This one is a 12 inch of “Stop This Crazy Thing” (1988) by Coldcut. It’s probably the best dance single ever recorded. If you disagree with that I’d love to hear what you think is better.
Junior Reid (Black Uhuru) provides the perfect vocal complement to this jungle music which is replete with all sorts of hoots and hollers, including Tarzan’s signature wail. The sounds and samples are themselves what’s crazy here and I definitely do not want to stop them.
This is one of the most played records in our collection. Long live Coldcut!
(I found this video of “Stop This Crazy Thing.” The record cover appears to be for a 12 inch (different edition than mine), but the record itself looks like a 7 inch, and the music is shorter. The original 12 inch is seven and a half minutes of jumping.)
Yes, you are the man Mr. Jackson. I have posted a number of your records already, with more to come. You also had a lot of hair back in 1979 when “I’m the Man” was released as this seven inch vinyl single. This is a great original song. On the flip is spunky, nay, punky I say, live cover of Chuck Berry’s “Come On.”
P.S. I think the button on your lapel says “I LOVE TO BOOGIE.”
I am not a particularly big fan of Garbage, but I am a James Bond lunatic. I have every single legitimate Bond movie made, along with some not-so-legitimate 007 flicks. In addition to the movies I have an odd assortment of Bond music from every relevant decade. So, I was happy to get this CD single “The World Is Not Enough” (1999) from a coworker at the time, Mona Sharma. I used to have a real turntable on my desk along with a “now playing” sign, just like in the record stores from the good ol’ days. For a while, I sat next to Mona. I asked her once what kind of music she liked and she replied that she really only listened to soundtracks. I thought that was funny at the time, in a cool non-conformist way, but in the years since that conversation I have been collecting more and more soundtracks and film scores. Mona was on to something.
As far as Bond movie themes go this one by Garbage is pretty solid. This is a promo that includes the original version along with the “Chilled Out Remix.” To be honest, after several listens I can’t tell them apart. Both are chilled out, and good.
When I first heard of Raging Slab they were being described as a combination of Motorhead and Lynyrd Skynyrd. That’s a dream music combo to me, but probably a nightmare to some. Some version of that description was frequently used by magazines for a number of years. When you consider that the band started in NYC and that Assmaster (1987) was put out by a punk rock label you can probably guess that the description was at best simplistic, and probably misleading. This music is weird, and truly unique. The founding band members may have had a love of boogie rock but after it filtered through their contemporary punk and noise influences the output was something completely new.
The original release of Assmaster came with a fantastic comic book produced by two artists from Marvel Comics. (Click image for larger version.) The comic book and cartoon album cover art may lead the uninitiated to dismiss Raging Slab as some stoner rock clowns, but that would be a mistake. Front man Greg Strzempka’s (a.k.a. Jagory Slab) lyrics are always interesting, often brilliant, and occasionally poignant. There have been periods where the music was more mainstream, but it was always good.
This is a very interesting band, and a favorite of mine since this first record. Raging Slab have had a long rollercoaster career of indie label obscurity and major label mainstream success. And then there’s the period where they moved into a farm house in rural PA and started a rock commune… Read all about Raging Slab at Wikipedia.
I am the master of my… aaaaass
I’m no one’s prince, and no one’s… baaaaaastard
I am the master of my ass
Want to know what it's like to have brain surgery? Well here's the long version of my experience. Complete with pictures and videos! Read all about the Brain Surgery Experience.
