Naked Eyes — Promises Promises

• Artist: Naked Eyes
• Title: Promises Promises
• Year: 1983
• Format: Vinyl 7 in.
• Rating (1-10): 6
• Owner: Mary
• Acquired: ?
• Keeper: Maybe

This sounds so ’80s, but it’s decent pop. I definitely like it more than the other single of this year, “Always Something There To Remind Me.” But if never heard either of them again that would be OK by me. Mary gives “Promises Promises” a 6.

M — Pop Musik

• Artist: M
• Title: Pop Musik
• Year: 1979
• Format: Vinyl 7 in.
• Rating (1-10): 7
• Owner: Mary
• Acquired: ? – She fell asleep before I could ask.

I’m writing from yet another hotel in Asheville, NC. We close on our new-old house tomorrow morning. This time we brought the kids with us so they can check it out. So far, thumbs up. That said, I did get panhandled three times in as many minutes after leaving a restaurant tonight. I’m not sure if that’s more irritating or funny. This is my fourth near-1000-mile-roundtrip to Asheville in a little over a month.

I’ve always liked this silly song, “Pop Musik.” I played the flipside, “M Factor”, this morning and already I’ve forgotten what it sounds like. That means it’s either completely forgettable, or I’m really tired from driving all day.

The Lemonheads — Luka

• Artist: The Lemonheads
• Title: Luka
• Year: 1989
• Format: Vinyl 7 in.
• Rating (1-10): 4
• Owner: Mary
• Acquired: ? – “No clue at all”
• Keeper: No

I never liked The Lemonheads even when it seemed like everyone I knew did. They were just boring to me, even their early stuff that some consider “punk” or “hardcore.” They’re often compared to The Replacements, another band that completely bores me. I remember seeing The Lemonheads live on tour for “Shame About Ray”, which was probably their peak in terms of popularity. I like almost anything live, but I was bored then too. Did I mention that I think they boring? Not bad really, just boring.

King Crimson — Larks’ Tongues in Aspic

• Artist: King Crimson
• Title: Larks’ Tongues in Aspic
• Year: 1973
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Tracy
• Acquired: 2006 – A gift from Keith.
• Keeper: Yes

Today is a “K” day. Even though I’m playing 7-inches this time through I decided to go with King Crimson’s LP “Larks’ Tongues in Aspic” because:

1. my good friend Keith just bought this for me on eBay
2. this K-day is also for K-eith, his wife K-erah and their un-alliteratively-named son Max
3. and I get to postpone writing about another Kajagoogoo record

I don’t know much about King Crimson, but this one is Keith’s favorite. I like it too, and was surprised how “progressive”, in a good way, this record was and is. My favorite cuts are the title tracks that bookend the album. After a few minutes of almost ambient noodling the opening track slams you with a metallic riff in 7/8 time signature. I like surprises. Except for the vocals, in some ways this album reminds me a lot of the Gamalon record I’ve already logged here. But Gamalon came along over a decade later.

Did Gorillaz really sample the laugh at the end of “Easy Money”?

Joe Jackson — Memphis

• Artist: Joe Jackson
• Title: Memphis
• Year: 1983
• Format: Vinyl 7 in.
• Rating (1-10): 7
• Owner: Mary
• Acquired: 1984 ? – When Mary worked at Tower Records in DC.
• Keeper: Yes

This single was part of the soundtrack to the movie “Mike’s Murder” starring Debra Winger. Yeah, I’ve never seen it either. Anyhow, the primary riff in “Memphis” sounds so much like the Spencer David Group song “I’m A Man” that I can’t help but think of that when I’m listening to this. Despite that the “Memphis” vibe is more new wave than classic rock. I like it, but it bothers me. “Breakdown” on the flip is an ethereal instrumental number, and unlike any Joe Jackson music I’ve ever heard.

Ignition — Sinker

• Artist: Ignition
• Title: Sinker
• Year: 1987
• Format: Vinyl 7 in.
• Rating (1-10): 6
• Owner: Mary
• Acquired: 1987 – “Probably at a show”
• Keeper: Maybe

I was trying to figure this record out when I did a search and found this. That guy’s site probably will tell you more than you ever wanted to know about Ignition. I agree with him that the bass is way loud. It’s like the bass player sneaked back into the studio after everyone left and made a few “adjustments.” Anyhow, I was surprised it was self-produced and not on Dischord until I read the piece linked to above. I only got to see the band once or twice and I didn’t buy any records. Mary must’ve seen a better performance. And why is there an illustration of a distributor, cap and rotor on the back? Oh right, “Ignition.”

Haircut One Hundred — Love Plus One

• Artist: Haircut One Hundred
• Title: Love Plus One
• Year: 1982
• Format: Vinyl 7 in.
• Rating (1-10): 6
• Owner: Mary
• Acquired: “Not when it came out”
• Keeper: Yes

There must be a story behind the name “Haircut One Hundred.” All I remember is that these fellows were clean-cut, preppy even, and they seemed very happy to be playing music. At least that’s how it appeared in the video for this single, “Love Plus One.” This is very solid, sophisticated pop. It sounds like they used one of almost every possible instrument on this song and the flipside, “Marine Boy.” Maybe I’m being stingy with my rating of “6.” Mary wouldn’t give me a number.

Georgia Satellites — Open All Night

• Artist: Georgia Satellites
• Title: Open All Night
• Year: 1988
• Format: Vinyl 7 in.
• Rating (1-10): 8
• Owner: Mary or Tracy ?
• Acquired: 1988 – Probably Mother’s Records in Hampton, VA.
• Keeper: Yes

This is way better than I was expecting. By that I mean, I like The Georgia Satellites, I just forgot how good they were. I didn’t even realize “Open All Night” was a single from their second album at first. Too bad I only have the first LP. The songs are great and so is the production and engineering. Jeff Glixman got a killer sound for this record. The flip, “Dunk ‘N’ Dine”, is also a winner. Hearing them sing about coffee and hash browns got me associating their music with breakfast food. It’s like eggs and biscuits, pretty sure to satisfy at any time of day. Guess what we had for dinner.

Fad Gadget — One Man’s Meat

• Artist: Fad Gadget
• Title: One Man’s Meat
• Year: 1983
• Format: Vinyl 7 in.
• Rating (1-10): 6
• Owner: Mary
• Acquired: 1983 – Olsson’s in DC?
• Keeper: Yes

After just one listen to “One Man’s Meat” you might think it’s just angsty, electronic, New Wave, disco. You wouldn’t be completely wrong, but there’s more to it than that. It definitely sounds like the early 1980s, so yes it’s a bit dated, but it’s also pretty interesting. The flip, “Sleep”, is a plodding arty electronic bore. Or, is that just his serious side? The package included another 7 inch of “Collapsing New People.” We’ve already played and logged that song in 12 inch format on a previous letter F day.

Echo and The Bunnymen — Bring On The Dancing Horses

• Artist: Echo and The Bunnymen
• Title: Bring On The Dancing Horses
• Year: 1985
• Format: Vinyl 7 in.
• Rating (1-10): 7
• Owner: Mary
• Acquired: 1985 – Unknown origin.
• Keeper: Yes

Echo and The Bunnymen, similar to Black Sabbath, made their best music on the first four albums. “Bring On The Dancing Horses” came later. I like it more than other later singles, but much less than the music on the first four LPs. Now this I find strange: The flipside is “Read It In Books” which was on their first record “Crocodiles” from five years earlier. Mary’s theory is that since the band was finally getting popular in the US they put that on the flip to encourage new fans to also get the back catalog stuff. I think if that was the reason they should’ve picked something more immediately appealing like, say, “Rescue.”