Garbage — The World Is Not Enough

I am not a particularly big fan of Garbage, but I am a James Bond lunatic. I have every single legitimate Bond movie made, along with some not-so-legitimate 007 flicks. In addition to the movies I have an odd assortment of Bond music from every relevant decade. So, I was happy to get this CD single “The World Is Not Enough” (1999) from a coworker at the time, Mona Sharma. I used to have a real turntable on my desk along with a “now playing” sign, just like in the record stores from the good ol’ days. For a while, I sat next to Mona. I asked her once what kind of music she liked and she replied that she really only listened to soundtracks. I thought that was funny at the time, in a cool non-conformist way, but in the years since that conversation I have been collecting more and more soundtracks and film scores. Mona was on to something.

As far as Bond movie themes go this one by Garbage is pretty solid. This is a promo that includes the original version along with the “Chilled Out Remix.” To be honest, after several listens I can’t tell them apart. Both are chilled out, and good.

Henry Mancini — The Pink Panther

There’s just something about the early 1960s high society aesthetic, at least how it’s portrayed in movies of the time, that speaks to me. Modern, hip, glamorous and sleek, it’s a big part of the fun of watching The Pink Panther, early James Bond flicks, and other films from this time. A few years later, things started getting weird, heavy and psychedelic in movies and music. Not that there isn’t plenty of great art from the late ’60s. The cars, clothes, interiors, the jokes, the actors, and of course the music, all make this one of my favorite movies.

The Pink Panther was released in 1963. I got this soundtrack only a few years ago. I’ve always loved Henry Mancini’s score and “The Pink Panther Theme” has to be one of the swingingest jams ever. You probably have heard so much that you don’t even pay attention to it now. But you should. It’s a tiny music masterpiece, full of perfect punctuations as it steadily builds the layers of orchestration, and then sneaks off into the distance, but ends with one last exclamation point. Tears the roof off in less than three minutes!

New Order — Shellshock 12 inch

• Artist: New Order
• Title: Shellshock
• Year: 1986
• Format: Vinyl 12 in.
• Rating (1-10): 7
• Owner: Mary
• Acquired: 1987? – Plan 9

We seem to have an endless supply of 12 inches. Almost all of them are Mary’s; she’s quite the completist collector. Here is another piece of pop art from New Order. This version of “Shellshock” is almost 10 minutes long. “Original version appears on the original picture soundtrack Pretty in Pink” is printed on the typically minimalist back cover. The flip side has an instrumental version of “Thieves Like Us.” Why do we keep these things? Is my wife leading a secret second life as a DJ for ’80s dance parties?

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Jerry Van Rooyen — At 250 Miles Per Hour

Jerry Van Rooyen -- At 250 Miles Per Hour

• Artist: Jerry Van Rooyen
• Title: At 250 Miles Per Hour
• Year: 1996?
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Tracy
• Acquired: Amazon? – 1998
• Keeper: Yes

At 250 Miles Per Hour was put out by a German label with a seriously painful name, Crippled Dick Hot Wax. Jerry Van Rooyen had a habit of writing original scores for strange late ’60s movies that were either horror or soft porn, and sometimes both. Maybe even weirder than that is the fact that this sub-sub-genre of swinging music has a solid cult following.

How did I hear about it? No, mom, I wasn’t watching “The Castle of Bloody Lust” when Mr. Van Rooyen’s grooving jazz caught my attention. It was a comedy from 1998 that featured William Shatner called Free Enterprise. The producers, wisely, chose to re-use Rooyen’s kicking number “The Great Train Robbery” to open the movie. I recommend the movie and the tunes. I play this CD all the time, all the time.

My favorite song is the exquisitely short “Fabienne Is Going Wild.” It’s barely over one minute and it’s the best strip music I’ve ever heard. If it were any longer people’s clothes would start flying. Check out the clips.

Various Artists — Everything is Illuminated (Picture Soundtrack)

Various Artists -- Everything is Illuminated (Picture Soundtrack)

• Artist: Various Artists
• Title: Everything is Illuminated (Picture Soundtrack)
• Year: 2005
• Format: CD
• Rating (1-10): 9
• Owner: Tracy
• Acquired: 2007 – Christmas present from my beautiful wife
• Keeper: Yes

First of all, if you haven’t seen the movie Everything is Illuminated make sure to put it on your list. It stars Elijah Wood, but to me the real star is Eugene Hutz. Eugene is also the singer of Gogol Bordello. The film is excellent, and I’ll leave it at that. The soundtrack, which is why we have gathered here today, is also excellent. Most of the music is original stuff from Paul Cantelon. Other artists have also contributed songs, with a couple from Gogol Bordello, including “Start Wearing Purple.” I’ve praised that number before. That happens to be the most raucous song on the album. While raucous is usually my thing, I do enjoy the entire soundtrack. I could sit on the couch and just listen to it over and over. I prefer to consume music as primary activity. But let’s say you do your music listening mostly as a secondary activity, say, walking around town with your iPod. Everything is Illuminated would make the experience of running errands a lot more interesting. It’s full of unusual music and often slightly mysterious moods. Pretend you are in the movie.

Barry Adamson — Moss Side Story

• Artist: Barry Adamson
• Title: Moss Side Story
• Year: 1989
• Format: Vinyl 12 in.
• Rating (1-10): 8
• Owner: Tracy
• Acquired: 1989 – Bought it at our store RIP Records in Norfolk, VA
• Keeper: Yes

Moss Side Story is a film score by Barry Adamson for a three act murder mystery that doesn’t exist. Most people that have this album seem to really love it. I really love most of it, but I have to tell you that the opening cut “On The Wrong Side Of Relaxation” really gets on my nerves. Which, based on the title, seems appropriate. I played Moss Side a number of times over the last week and most of the time I put the needle down on the right side of that song. He has also done music for real movies as well as performing on many albums with Nick Cave and The Bad Seeds.

More about Barry Adamson at Wikipedia and BarryAdamson.com.

Nick Cave and Warren Ellis — The Proposition Original Soundtrack

• Artist: Nick Cave and Warren Ellis
• Title: The Proposition Original Soundtrack
• Year: 2005
• Format: CD
• Rating (1-10): 7
• Owner: Mary
• Acquired: 2006 – Christmas gift!

I was shopping around for Mary this Christmas when I stumbled on this. I hadn’t even heard of the movie The Proposition. It turns out, not only did Nick Cave, her favorite music artist, write and perform the soundtrack music, he also wrote the script. Best of all, it seems people really like it, the movie, that is. I don’t know much about his collaborator Warren Ellis, but I do know he is not the comic book author.

This really is movie music, and I would call it a “score” rather than a soundtrack. I don’t think the “songs” here are meant to stand alone; for the most part they are more like music cues. Overall, I dig it, but I like listening to scores/soundtracks probably more than most folks. I really don’t want to use the word “ethereal”, but there, I’ve done it. Of course, it’s ethereal with a very subtle Western movie edge and a not unexpected old man Nick Cave sound. Listen for yourself.

Isaac Hayes — Shaft

• Artist: Isaac Hayes
• Title: Shaft
• Year: 1971
• Format: Vinyl 12 in.
• Rating (1-10): 9
• Owner: Tracy
• Acquired: No idea when, bought it used and it’s near mint

Butter Your Soul With the Movement
Which is to be Continued by Black Moses.

Whatever you say Mr. Hayes. That psychedelic sentence is big and bold on the inside of this gatefold double album, but it’s just a promotion line using the titles from the four earlier albums pictured right below it. Anyhow, I would guess that very few people familiar with the hit “Shaft” have ever heard the whole double album. That’s too bad. The first disk is heavier with a few very rocked out jams, and the second is so chill I could feel my blood pressure dropping as I played it. I don’t have a lot of records by Isaac Hayes, but I’m glad I have this one.

IsaacHayes.com