Acquired: 1986 – Probably at Mother’s Records in Hampton, VA
Keeper: Yes
No camera can capture the intense greenness of this album cover. I enjoyed The Blasting Concept Volume II more than I expected. I forgot how metal-sounding, a high compliment, some of these bands were back then. I have records by most of the bands on here, but it’s worth keeping for the few good songs I don’t have, like “Watch the Tractor” by Gone. My favorite is the Minutemen’s punkish cover of Van Halen’s “Ain’t Talking About Love.” I’ve never heard a bad version of that song, even from the garage band I played drums for in junior high.
Zvuki Mu? Ever heard of them? They are a modern art band from Russia that started in the 1980s. This is their debut album and it was produced by Mister art rock himself, Brian Eno. This album is very eclectic with everything from strange pulsing dirges punctuated by sporadic drum and vocal outbursts to accessible but nerdy art disco. Yes, it is that good. The lyrics are in Russian. I’ve read descriptions of singer Pyotr Mamonov’s lyrics as “absurdist”, but how would I know?
My two main memories associated with Zvuki Mu are that my brother and I played it a lot at our record store. We got it as a promo from our Warner Bros rep. She also got us into a live show with Zvuki Mu at the 9:30 Club in D.C. We got to meet Mamonov and the other guys, and in hindsight they did seem somewhat absurdist. In their proper business suits they reminded me more of the Dadaists seen in old photos than the average rock band. Mary thinks we also went to dinner with them, but I think that was another band. Ah, the perks of owning a record store.
Steve Weisberg -- I Can't Stand Another Night Alone (In Bed With You)
Artist: Steve Weisberg
Title: I Can’t Stand Another Night Alone (In Bed With You)
Year: 1986
Format: Vinyl 12 in.
Rating (1-10): 8
Owner: Tracy
Acquired: 1988? – I think I got this at the record store my brother and I had.
Keeper: Yes
I wasn’t sure this was going to be a keeper, but after playing it again, several times, I now remember how good it is. I can’t really remember how I got the record. Steve Weisberg is from the same town our record store was in so there must’ve been some awareness of him, maybe one of our customers told me about it. Anyhow, I Can’t Stand Another Night Alone (In Bed With You) is a very ambitious record. It’s hard to believe he was only 22 when this was recorded. And the list of contributing musicians is just as impressive. There are lot of jazz world big shots and just generally famous musicians like Hiram Bullock and Anton Fier. The music sounds somewhat like a film score, similar to The Cat by Jimmy Smith. It combines big band and jazz with Bullock’s shredding guitar and doesn’t sound the least bit pure. Which is great.
Stevie Ray Vaughan and Double Trouble -- Couldn't Stand the Weather
Artist: Stevie Ray Vaughan and Double Trouble
Title: Couldn’t Stand the Weather
Year: 1984
Format: Vinyl 12 in.
Rating (1-10): 9
Owner: Tracy and Bob
Acquired: 2005 – Inherited from Bob Bobala
Keeper: Yes
Oh, too many to blogs to keep up with. I haven’t been posting as often as I want. It’s too late and I’m too tired to do this record justice. Suffice it to say that Stevie Ray Vaughan was a massively talented genius and Couldn’t Stand the Weather is an excellent album. I think if I listened to it for another day I’d probably rate it a “10.” From memory I was thinking that this record wasn’t quite as good as the first, but now I’m not so sure. Stevie and Double Trouble (Tommy Shannon on bass and Chris Layton on drums) are slamming on all eight tracks. My favorite is the heavy funk title track, “Couldn’t Stand the Weather.” And their version of Hendrix’s “Voodoo Chile (Slight Return)” is phenomenal. I’m a huge Hendrix fan, but I like listening to this version just a little bit more. Vaughan’s tone is super fat. This is another record Bob should have kept.
Based on the track listing, according to Wikipedia, we have “Version 3” of this “Pride” 12 inch by U2. But that page doesn’t mention anything about it being a Japanese promo, which it is.
Side 1
“Pride (In the Name of Love)” (Single Version)
“Boomerang I” (Instrumental)
“Boomerang II”
Side 2
“11 O’Clock Tick Tock” (Long Version)
“Touch”
The “Boomerang” songs sound more like Duran Duran than what you would expect from U2. I like them. “11 O’clock” is a previously unreleased version. I don’t recognize “Touch” at all; it sounds very early. We’re going to keep this one. It has some interesting extras, a great package, and it appears to be a “collector’s item.”
Acquired: 1984 – Not sure where, probably mail order from Voxx Records.
Keeper: Yes
I can’t believe The Tell-Tale Hearts still exist as a band, but they do have a MySpace page. So, at least you can go hear what I’m talking about. I used to love this stuff, and I still do. By “this stuff” I mean bands in the mid-1980s that were making music like, and even dressing like, proto-punk bands from the mid-1960s. That may seem a little corny in retrospect, but how is it any different from Interpol sounding like Joy Division? Or any of the numerous “post punk” bands on the scene the last few years? I love this self-titled record. My favorite track is the hyper-speed punked-out celebration of being in love titled “It Came to Me.” The Tell-Tale Hearts were, maybe still are, one of the best of this fun music scene. I don’t play this record much, but I always enjoy it when I do.
I never did know much about Savage Republic, but Trouser Press can tell you all about the band. This album, Jamahinya, has a great package with a nice gatefold and matte finish. If I remember correctly, most records put out by their record label, Fundamental, back then had great packaging. Savage Republic’s sound is not something I can easily explain. It’s definitely arty, often rhythmic, and the vocals are kinda nerdy. That said, I’ve always liked this record even though I haven’t played it often, and I can’t imagine the vocals sounding any other way.
I have another ticket stub that doesn’t really belong with the record of the day. It’s from R.E.M.’s tour to support the 1984 album Reckoning and I should’ve mentioned it when I posted that one. For some reason I did mention the show, with opening act Dream Syndicate, on the Murmur post. I see the ticket is stamped “COMP” so maybe I won tickets on the radio or something.
The thing I remember most is talking to Dream Syndicate guitarist Karl Precoda between bands. I thought they put on a great, and surprisingly hard-rockin’ show, and I made sure to tell him that. He seemed like a pretty cool guy, but he decided to leave the band soon after this tour. At least I know it wasn’t my fault. Another memorable bit was that during R.E.M.’s set the power went out. This was a relatively small place, better-suited to conventions. I remember some minimal amount of light, and that the band carried on in some sort of acoustic mode for a while. I was glad to see they were cool like that, and not some whiny prima donnas.
To the record… Dead Letter Office is a compilation of rarities, outtakes, b-sides and covers. Despite the odds it’s a pretty listenable collection. Peter Buck also wrote some great notes about each song on the liner. Good ol’ Wikipedia has more info about it.
Funny thing, when I was listening to this EP by Phantom Tollbooth I kept thinking it sounded like a more metallic version of The Minutemen, with lamer, scratchier vocals. Then, I looked up some info I saw that Trouser Press had something similar to say. It has some decent moments, and if you’re into noisy art-rock you might dig it. We have more than enough of that stuff. I don’t need to hear it again.
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